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The impact of this remarkable Ukrainian
thinker's works, lifestyle and philosophical ideas has been for a long time traced in
literature. The first one to describe Skovoroda was V. T. Narezhny in his novel
"Russian Zhilblaz" (1814), after that I. I. Sreznevsky's story "Mayor,
mayor!" was published, where the philosopher was the main hero, and the great
Ukrainian poet T. G. Shevchenko in his story "Twins" showed Skovoroda as a
teacher of music. Skovoroda associations are found in Gogol's reasoning, in Dostoyevsky's
philosophical views, in Vladimir Solovyov's works (by the way he was related to the
Ukrainian philosopher through his mother's line), and in N. S. Leskov's works, Leo Tolstoy
used to study his views. |
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And finally, cryptograms of M. A. Bulgakov's
last novel that were deciphered in the XX century again tell us about Grigory Savvich
Skovoroda. The signs that point at Skovoroda are scattered everywhere throughout the
novel. |
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Among these signs is Master's name, (in ancient
Slavonic society "master" was the general term to call a grammar teacher, a
person knowledgeable in biblical texts, this is exactly what was Skovoroda, in the 1760's
he taught catechism in preparation classes of Kharkov college). |
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There are also similarities between Master's
and Skovoroda's personalities: Bulgakov's Master knows several foreign languages (English,
French, German, Latin, Greek and can read some Italian). Skovoroda knew Hebrew, Greek,
Latin, German and a little Italian. |
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The scene of the plot in chapter "Master
and Margaret's Lot is Decided" - all this points at the former Rumyantsevsky museum,
later it became on of the buildings of the USSR State Library (now Russian State Library),
the place where the works of prominent men of arts and educators have been stored for a
long time, as the place where Master's legacy is kept (a collection of Skovoroda's
manuscripts was bought by Rumyantsevsky museum in 1875 from M. I. Kovalinsky's
granddaughter - Kovalinsky was the philosopher's friend and pupil). |
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Another sign the artistic depiction of the
three worlds on the novel: the Earth's world, the
biblical world, and the space world. The first world in the novel is represented by
people, the second is represented by biblical characters, the third - Voland and his
companions. (Skovoroda's theory of "the three worlds" in his tract "The
Serpent's Flood" speaks about the principal, space world - the Universe, macrocosm -
and two subworlds: one of them is the human world, microcosm, the other is
"symbolical", that is the biblical world. Every one of the three worlds has a
double "nature": visible and invisible, for the biblical world the two natures
are correlated as "sign and symbol". All three worlds are made of evil and good,
the biblical world is a kind of link between the visible and the invisible natures of
microcosm and macrocosm. A person has two bodies and two hearts: corruptible and eternal,
worldly and spiritual. The theory of double nature of man speaks about "true"
people as people whose "inner" nature reigns over their "outer"
nature. A persons happiness is not in riches, not luxury, and not even in health, but in
the soul's harmony. "Where have you seen, or read, or heard about the happy person
whose treasure was not inside him? It is impossible to find it outside of oneself. The
true happiness is inside of us". A human being can only reach harmony, if he or she
does what accords with his or her natural inclinations, in "one's own trade".
And if a person tries to acquire more than he or she actually needs, according to
Skovoroda it only brings disaster.) |
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Another sign is the novel's famous phrase
"Manuscripts do not burn!" (As Skovoroda was unsatisfied with his book
"Askhan", "he became so upset that he burned it". Later it was found
out that one of the philosopher's friends had a copy of the manuscript. Master also burned
his novel about Iyeshua.). |
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The philosophical model for the character of
Master's beloved woman for Bulgakov was the toelogema of Sofya - eternal womanhood,
originating from G. S. Skovoroda and V. S. Solovyov, who were inspired by her, and admired
the ancient gnosticist teaching. |
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Even the heroine's name - Margaret is a sign.
(The word "margarita" - pearl is of Greek origin. It is found in Skovoroda's
works, in the context of his reasoning about female origin of the world, For example in
his tract "Grateful Yerody". And Latin Margarita means a pearl.) |
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And finally Skovoroda's conception of search
for peace - one of the main themes of his philosophy and poetry is clearly shown in the
novel. Peace for the philosopher and poet personifies eternity, the eternal home, and the
symbol of resurrection, the final way to peace is the moon road. |
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For thirty years Skovoroda roamed along Ukraine
roads with his wallet on his shoulder and sopilka flute under his belt, taught people
grammar, sang his songs to them, and gave them his living teaching about soul. None of his
books was published during his lifetime, but everyone who knew him, especially his
friends, his pupils and any who happened to study in Kiev Religious Academy did not admire
him less for that. And Grigory Savvich spent his last days on Kharkov soils, just as he
had spent his youth days. A legend says that he exactly knew the date of his death, and
himself had dug his own grave in a park in Kalinovsky's estate, who he visited for the
last time. His last will was for this short inscription to be put on his grave: "The
world was trying to catch me, did not succeed". These were Master's last words, words
full of deep sense and humour. |
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B i b l i o g r a p h y: |
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I. L. Galinskaya. Cryptograms of Michael Bulgakov. -
M., "Science", 1986. |
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Luce Lyashenko. Lightning in the Dark Night. - Kiev,
"Veselka", 1972. |
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D. I. Bagaley, D. P. Miller. The History of Kharkov
Town During the 250 year period of its Existance (1655 - 1905), Volume One, Chapter 13
"Science". Reprinted Edition - Kharkov, 1993. |
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N. I. Kostomarov, The History of Ukraine. |
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